Staged as a country thriller, the production Death and reincarnation as a cowboy, perhaps Rodrigo García's strongest and most controversial text, sheds lights on the daily infernos, fully exploiting the grimaces of laughter. The only voice implied by the playwright has been fragmented by the director and adapted to contemporary women, living examples of the wonder woman syndrome. The four actresses furiously, but lucidly, throw in our faces the human degradation, the visceral laughter and the impossible love, and their polyphony becomes a delirious confession, a post-absurdist puzzle. This floating island, the flickering reality in which Rodrigo García's extreme-contemporary text has been transposed on stage, is accompanied by country music hit songs, reminiscent of a lost era.
The acting is willingly theatrical, through mechanized gestures, grotesque grimaces or obsessive heel sounds, permanently gliding through different rhythms, as a plea for saving colliding feminine universes. This type of playwriting invites to deciphering rather than visionarism, the immersion in García's chaotic world proposes a culture of the commentary, a second game in complicity with the text. «When disaster comes, it comes and it comes for us all!»
Rodrigo García is a writer, set designer, visual artist and theatre director. Born in Buenos Aires and living in Madrid, he created his own theatre company, "La Carniceria Teatro" (Butcher Theatre), in 1989. Considered one of the most controversial contemporary Spanish creators, García writes explosive texts, rejecting old theatre models, and finding inspiration in Beckett, Pinter, Kantor. Rodrigo García brought together elements from the past and from modern culture, creating a new theatrical language. His plays - such as Prométhé, After Sun, L'Histoire de Roland le clown de chez McDonald's, J'ai acheté une pelle chez Ikea pour creuser ma tombe, Jardinaje humaine, Goya, Et balancez mes cendres sur Mickey, Agamemnon - are presented on the most important European stages, often under the directorship of the playwright himself. His stagings are experimental, in search of a personal language, trying to move as far away as possible from traditional theatre. For this reason, Rodrigo García's theatre is an uncomfortable one, exposing the dehumanization, depersonalization, the man transformed in a waste bin-carriage. The play Death and reincarnation as a cowboy is one of the emblematic texts of the Spanish author and director Rodrigo Garcia.
This is the second time the director Andrei Măjeri stages one of the Spanish playwright's texts, after Agamemnon, which opened in September 2015. Death and reincarnation as a cowboy is a confession-text, constructed from a succession of delirious monologues about human degradation and non-communication. The set represents an American bar with high chairs - which will later become hammock chairs -, with beer bottles and country music in the background. It's a production about transvestite women which, after a long day's work, drown their sorrows in a place like a floating island in the middle of a tumultuous life, where life stories are gathered as if in a chaotic puzzle, accompanied by the music of Dolly Parton, Lynn Anderson, Loretta Lynn, Tammy Wynette, interpreted live by the four actresses.
25 lei;10 lei - discounts for pupils, students and pensioners.
Andrei Măjeri, Award for Best Director at I PLEA FOR YOU(NG) Theatre Festival Piatra Neamț, 4-17 November 2016.
Sânziana Tarța, Award for Best Actress at I PLEA FOR YOU(NG) Theatre Festival Piatra Neamț, 4-17 November 2016.
“Mona Marian” Award for young creators: Andrei Măjeri for the productions Agamemnon by Rodrigo García and Death and reincarnation as a cowboy by Rodrigo García, ex aequo with Leta Popescu for directing the production Call It Art!, at the Cluj-Napoca National Theatre Awards Gala, 2016.